| she's got somethin' | every time i walk around this town it brings me down i'm looking for that sound and it's nowhere to be found |
| she's got somethin' | there were times when I tried to find what I knew was all inside |
Waitress 72 (3 Mb)
it's late again
cigarette ash
burns down to my fingertips
sloe gin fizz
don't like the taste
but Freda always drank them
i remember when
jeremy
wasn't a junkie
what makes a friend
what makes a friend
want to fly
I wish I wish
I wish I wish
I wish I wish I wish I could fly
10,000 miles away from here
[dave makes up somthing...]
top
intro: EM7.A2(9).C#m.Am 1: 8xE.b 2. 4x A.C.G.A.F.Bb 3. E.F#m.G.Am.Bm.C.Bm.Am 4. EM7.A2(9).C#m.Am.B6.C#m.F#m.Dm(4) ->i.3x1.2.3.2x1.2.3.2x4.EM7
Pretty peace punk came up to me said you seen my friend? looks a bit like Jesus 'cept he's nearing the end Said I think I seen him wandering about a block away, seem like good people maybe there he can rest Seems some people jumped him beat him up, cause he looked like Jesus Welcome to the new Rome Chorus (on 2s): Missing dove formation Parade of errors (on first pass through 4): In this Parade of errors A missing dove formation when will we find peace (is it) only on release
1.8x skeletal D-A 2.B-D 3.2x[A-G-B-D] 4.C-E-G-Bb ->1-2-1-3x2-3-1-3x2-3-4-1-4x2-D walkdown to A
New Day It's coming around you're holding it in (can't stop the sun) wish I could say, wish you could know and feel nothing means more to me than right now (and you)
Intro: Am-G#-C-D79-E 1: 3xD79 figure - Cmaj run down 2: 2x B . C . E . G 3: 4x D79 . C . B . A , F (notional) 4. 2x Bb . A (complete tempo kill) . i.e. 14:50 into Gates of Delirium on Yes' Relayer -> intro.1.2.1.2.3.4.3.1.2.3.Cmaj rundown to G#+
1: I see your face, Everyday What more can I ask You’re hiding behind, What I want And a leopard print scarf 2: (Chorus) Who can deny, a simple red dress The glass tastes like blood 1: Who can deny, a simple redress And leopard print scarf The words you ask taste like blood 2: (Chorus) 3: Oh....! 1: The words you ask Taste like blood And Cut like glass 2: (Chorus) 3: oh........
1.E9 stature 2.B-F# groove 3.Em7 mechanical 4.Gm7(4) groove
I think I'll go to the coffee shop Read my "Che Guevara for Dummies" Have another triple cappuccino Spin around, spin some more Don't want to be Necropublican, Democorpse Represatial voting system recourse Spin around, spin some more
hook/intro: F#.G#.A. B.C#.D
1: 2x[C#.B9] hook
2: C#.B9.B.A hook
3.2x [C#.B.A.B.F#] hook (chorus)
4. 5 x G# altered ava rhaba (sp?) pattern (with added 6) in 7 . 3 hooks with rhythmic variation each time
scale: G#.A.C.C#.D#.E.A#
spelling 1.b2.3.4.5.b6.b7
pattern: 1.5.b7.5.6.4.b6.5.4.3.4.b2.3
--> twice through
On a heavy gravity day (when) the wholeness of two approaches three I was never beautiful I can't let you break my heart that way 'cause I can (break my heart over you) Chorus: They're selling hate, I can't relate Traveling at the speed of sight I ain't buyin They're selling hate, and I ain't buyin' Traveling at the speed of sight there's no time When the day is lite and two expands to three I was never beautiful I can't let you break my heart that way 'cause I can (break my heart over you)
start with vaguely classical (guitar only) intro (motif statement)
section 1:Chris and I join in with the rougher accompaniment (bass on odd E chromatic pattern to A and back ,
guitar with fracturing of motif)
section 2: E.F...E.D...E.F...E.D. C .
section 1
section 2
section 3: 2x[ A.B.C.D ] (bass) also from jam recording
section 4:C.G.A.E classical feel (the section Dave has been trying to
work in) section 1 section 2 section 3
end resolve in A
so the flow is:
intro.1.2.1.2.3.4.1.2.3.A
the intro - the little surfy thing? Em thing with the surf/minor blues riff (dorian methinks), with the e/g e/g thumping bass?
Also, part 2 - the E - F E D over A/a# - thing - I think that's best made to start simpler and grow richer for a creciendo refrain on the
part -as it's already such a stretch from the original. What I've been
playing on that part (for over 10 years) is a simple Asus2 A#sus2 - maybe we can figure a simple version of part 2 and a maxed out part 2?
I'm not sure, but I think we also had a medley with Mancini's "Shot in
the Dark", right? Somewhere between part 2 and the close? (shrug)
For closing, erhaps we can do a wind down (like Shiney pants) but with a little more dischord to resolve in a resonant A?
intro: 3xA9 walkdown . Bb49 1: A7, gtr motif: A.G.F#.G-A.G.F#.G.E 2: C#m/E 3: D7 4: D6jam -> i.1.2.1.3.1.2.3.4.1.2.4.3
Light on the eye line bags full (and) spring ready black straps (and) blue bonnet coils off, eyes mine coils off, eyes mine bring time to the autumn heir your summer wintering the light everyday everyday blue hair wrap perfect youth coil like snakes clear air, clear the air clear air, clear the air